A deal of science fabrication ’s most quotable generator do seem to write a long ton of aphorisms — Robert A. Heinlein come to idea , for representative . Butover at the Guardian , there ’s a discussion of the great conviction in writing style fable , and the question arose : are the best sentences in genre mostly aphoristic ?
For deterrent example , author Claire Armistead brings up this undeniably bright line from Iain M. Banks :
An Outside Context Problem was the sorting of thing most civilisations encountered just once , and which they tended to encounter rather in the same direction a sentence come across a full stop .
Which is quite apothegmatic , and fit in with the rambling , knowledge - attempt timber of a mint of science fiction . Similarly , there are some beautifully aphoristic gemstone from Douglas Adams and others .
But commenters on her piece work some cracking gem from other writing style writer , which were more descriptive and remindful . Like this line from Ray Bradbury ’s The Martian Chronicles :
And so the dry and crepitate citizenry , the people who spent their time listening to their middle and feeling their pulses and spooning syrups into their wry mouths , these citizenry who had once taken chair cars to California in November and third - class Mya arenaria to Italy in April , the dry out - apricot hoi polloi , the mummy peope , came at last to Mars …
So what do you suppose ? Is the best prison term - level writing in skill fiction often in the shape of apothegm , or generalized observance ? Or is that just an unfair generalization ? [ Guardian ]
Top prototype : The Martian Chronicles by Ray Bradbury .
BooksIain M. Banks
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