Red Digital Cinema is likely the winner in a months - recollective patent gaiter with Apple over its RAW television codec . Apple arrogate in its challenge that Red should n’t have been capable to patent its RedCode Raw codec in the first place . The U.S. Patent and Trademark Office ultimately did n’t match .
https://gizmodo.com/why-is-apple-flexing-on-high-end-camera-company-red-ove-1837302653
If that seems petty , there were also some other kinetics at drama . Red had previously takenSonyand Blackmagic to court over patent and royal family , and the company itself has a reputation for being litigious . It ’s not clear what made Apple register its claim , but it ’s possible Red got in the way of Apple ’s plans for its ownPro Res Rawformat . Not that it ultimately mattered .
Photo: Sam Rutherford
In itsfinal ruling , the USPTO observe Apple had “ not shown a fair likelihood that it would run in testify that any challenged title is unpatentable . ” Overall , it seems the way contract publication with how Apple presented its grammatical case . In the finish , the USPTO tell Apple act fast and loose with its definitions and references , leading to “ multiple contradictory rendition ” of its assertion that Red ’s technical school was obvious and , therefore , unpatentable . It also noted Apple ’s challenge failed to answer for for “ all limitations or lacks adequate reasoning . ”
reddish President Jarred Land downplayed any animosity between thew two companies in acomment posted to a ruddy forumabout the decisiveness . “ We are pleased to see our Redcode patents defy another challenge , ” he wrote . “ To be clear , as I observe before , this never really was Apple vs. Red . It has always been Apple + Red , and this was all part of the process defining how we run together in the futurity . ”
Land go on to note that Red and Apple ’s various team are play nice with paying attention to aim Redcode onto Apple’sMetal framework : “ We are very excited for the newfangled Mac Pro and the new XDR pro display and the great power they bring to the entire Red workflow . ”
Sure . It ’s easy to be large when you ’ve already won . In any compositor’s case , the decision will likely strengthen Red ’s traction over altogether video codecs . It ’s also potential to have some impingement on Apple ’s succeeding Pro Res Raw plans . In the interim , it means company that want to futz around with RAW video will either have to forge out a licensing agreement , or figure out a mode to do it on their own .
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